Middle Farm Studios

Muy buenas,

A cuenta del nuevo disco de Lampr3a:

https://viviendoapesardelacrisis.blogspot.com/2019/10/2019-lampr3a-neurocoalescence.html 

A ver:

https://www.middlefarmstudios.com/

Middle Farm is a residential recording studio complex in South Devon, England, run by producer and musician Peter Miles. Founded in 2010 Middle Farm quickly established itself as one of the most desirable recording locations in the country.  Nestled in the South Hams, the stunning Jurassic Coastline to the east and the vast expanse of Dartmoor to the west, Middle Farm offers a unique environment in which to create.

Material:

https://www.middlefarmstudios.com/gear-1

CONSOLE
Trident Series 70
We are honoured to be only the second owner of this classic British console. It’s the little brother of the well known Series 80 with nearly identical circuitry and a more compact footprint well suited to the modern studio environment. Features include:
-28 channels
-Fantastic preamps
-Highly musical 4 band EQ
-4 FX sends
-16 busses
-4 echo returns
-24 tape monitors
-Extensive bantam patchbay for flexible connectivity
-Custom english oak case by Nick Hannan of HK Woodworks

TAPE MACHINES

Studer A80 VU MK II 2” 24trk
A fantastic example of one of the most iconic pieces of recording equipment. Pink Floyd’s ‘Dark Side Of The Moon’, Queen’s ‘A Night At The Opera’ and Peter Gabriel’s ‘So’ are just a few of the thousands of classic albums made on these machines.
Our example was rescued from the collection of legendary bluesman Seasick Steve and tirelessly restored from the ground up by Lewis Hopkin of Stardelta Audio Electronics to near showroom condition.
For the first time since we opened our doors, fully analogue recording is available at Middle Farm for those brave enough to let go of track counts in their hundreds and embrace the warmth of tape!
-24 Track headblock
-Aligned for RTM SM911 2” tape
-Channel remote rack mounted in control room
-Autolocator installed in Trident console

MCI JH110 1/2” 2trk
Our painstakingly restored MCI JH110 1/2” stereo mastering tape machine is the final link in the Middle Farm analogue recording chain. It’s 1/2” track width allows your stereo mixes to be captured with the highest fidelity and allows a completely analogue signal path.
It’s also fantastic for bringing warmth to in the box mixes, or just send individual stems out to it for a unique analogue flavour. It also makes the most fantastic hi fidelity tape echo!
-1/2” and 1/4” 2 track headblocks
-Aligned for RMT SM911

Tascam 32 1/4” 2trk
This trashy little number is there for when our other tape machines are just too damn good! It’s fantastic for use as a tape echo, or for looping craziness. I wouldn’t trust it on your stereo mix down personally…

OUTBOARD

Pre Amps & EQ:
28 x Trident Series 70 Channels
8 x 1978 Tweed Audio c515 Channels
8 x Focusrite ISA Preamps (ISA 828)
4 x Shure M267 70’s mini mixers with ‘Devil Loc' limiters

Dynamics:
Manley Variable MU Compressor
Empirical Labs Distressor EL8 x 3
Empirical Labs Mike-e
Manley Langevin ELOP
DBX 160A x 4
DBX 117
DBX 118
Hairball 1176 LN
Hairball 1176 Blue Stripe
Shure M267 Limiters x 4
Rupert Neve Designs 500 series rack loaded with:
 - DBX 560a x 2
 - DBX 520 x 2
 - Empirical Labs Derr-Esser x2
 - CP4500 Stereo SSL Bus Compressor

Conversion:
2 x Ferrofish A32 A-D/D-A
RME HDSPe MADI FX
Echo Express SE I Thunderbolt PCIe Chassis for guest conectivity

Keys:

1878 Steinway Model C Concert Grand Piano
1966 Yamaha U3 Upright Piano
1965 Hammond C3 & Leslie 122
1973 Rhodes MkII Electric Piano
Wurlitzer 200a Electric Piano
Kemble Upright Piano
19th Century Harmonium
Synths:

Moog Subsequent 37
Sequential Prophet 6
Roland Juno 106 (Kiwi Mod)
Roland SH-101
Moog DFAM
Roland TR-08
Arturia MiniBrute

AMPS

Heads:
1968 Fender Twin
Bad Cat Black Cat 30
1973 Marshall JMP 100w
1977 Ampeg VT40
1995 Mesa Blackface Dual Rectifier
2003 Diezel VH4
1969 Laney Supergroup 60w
THD Bi-Valve
Groove Tubes Studio Series Tube Preamp
Darkglass Microtubes 900
‘The Doctor’ 1950’s projector amp
Two Cats 18w Marshall Clone
Leslie 147 (w/preamp for line in)

Combos:
Fender ‘64 Custom Princeton Reverb
1959 Selmer Truevoice TV8
80’s Roland JC120
1973 Traynor YGM3 RetroAmps Custom

Guitar Cabinets:
1969 Marshall 4×12 (25w Creambacks)
1993 Mesa Rectifier 4×12 (Vintage 30’s)
Bad Cat 4×12 (Bad Cat 30’s)
Zilla Super Fatboy 2x12 (12H 30w Greenbacks)
Zilla 4x10 (Ampeg VT)
1970’s Fender 2×15
1970’s Fender 2×12 (Jensen)
Weird old 50's radio 1x12

Bass Cabinets:
Ampeg SVT 8×10
Ampeg SVT 4x10
Mills Acoustics 2x10

DRUMS

Snare Drums:
70’s Ludwig Black Beauty 14×6.5”
70’s Ludwig 400 14x5"
Ludwig 402 14x6.5"
Q Drum Co. Plate Brass 14x7”
Guru Staved Walnut, Ash & Ovankol 14×5″
Guru Steambent Ash 13×6″
80’s Sonor Bubinga Signature 14×8″
Pearl Custom Classic Single Ply Ash 14×6.5″

Kick Drums:
Q Drum Co. Copper 24x18”
Yamaha Recording Custom 22x16”
Yamaha Recording Custom 24x18”
Yamaha 9000 26×14″
Tama Bubinga Elite 22x18"
1980 Ludwig Olive Badge 22×14″
1972 Ludwig Olive Badge 20x14”

Toms:
Q Drum Co. Copper 13, 16ft & 18”ft
1972 Ludwig Olive Badge 13, 14 & 16”ft
1980 Ludwig Olive Badge 13 16”ft
Yamaha Recording Custom 8,10,12,14ft & 16”ft
Yamaha 9000 13,14 & 18″ft

GUITARS

Electric Guitars:
1976 Gibson LP Custom
1974 Fender Stratocaster
1987 Epiphone By Gibson Sheraton
2004 Fender Custom Shop ’63 Relic Telecaster
2015 Manson Guitar Works MA Custom
Jackson So-Cal 2PT

Bass Guitars:
1975 Fender Precision Bass
1978 Fender Mustang Bass
2012 Dingwall Afterburner Bass

Acoustic Guitars:
2012 Gibson Hummingbird Acoustic
1995 Simon & Patrick SP6 Acoustic
1978 Alhambra S.A. Spanish Acoustic

Resto:

Computer / Digital

Apple 2019 Mac Pro 3.5GHz 8-Core 96GB RAM
Logic X
PT 12 Native
LG UltraFine 5K Display
UAD 2 Quad DSP
RME HDSPe MADI IO card
Echo Express SE I Thunderbolt PCIe Chassis for guest conectivity
2 x Ferrofish A32 AD/DA

Monitoring

Mains

Quested V3110 Mid-Field Monitors
12sHO sub

Nearfields

Yamaha NS-10M
Acoustic Research AR18s
Powered by Bryston 3B

Audient NERO Monitor Controller

Behringer P16 Headphone Mixing System
Beyerdynamic DT150 x 12

Microphones
Neumann U87 x2
Neumann KM184 x2
Neumann KMS105 x 2
AKG 414 ULS x2
AKG 414 XLS x2
AKG 414 XL II x2
AKG D12
AKG D112
Coles 4038 x 2
Telefunken M80 x 2
Peluso 2251
Warm Audio U47 x 2
Sennheisser 441
Sennheisser 421 x4
Shure SM7
Shure SM7b
EV RE-20
EV 3088
Beyer M88
Shure SM57 x6
Shure SM57 Beta
Shure Beta 91A
Sure Beta 52
Shure KSM 32 x2
Sontronics Halo
SE VR1 Ribbon x2
Crown PZM x2

PEDALS AND FX

Tape Echo:
Roland RE-301 Chorus Echo
Korg SE-500 Stage Echo
Maestro Echoplex EP-3
WEM Copycat MK III

Reverb:
EMT 140 Valve Plate Reverb
Custom Stereo Spring
Strymon Blue Sky
TC Electronic Hall Of Fame

Gain:
Ego Booster
Maxon OD9
Mintone Hot Lad
Mintone Fuckbox
Made By Mike BOGOF
Boss SD-1
ProCo Rat
ZVEX Fuzz Factory
Dunlop Fuzz Face
Dunlop Fuzz Face Mini
Electro Harmonix Big Muff

Dynamics:
Keeley Compressor
MXR Dynacomp
Mooer Slow Enginer

Modulation:
Electro Harmonix Electric Mistress
Electro Harmonix Small Stone
DOD FX65 Stereo Chorus  - DOD
Electro Harmonix Poly Chorus
ZVEX Lo-fi Junky
Made By Mike Wobbleboard

Delay:
MXR Carbon Copy
Made By Mike Tape box

Misc:
Moogerfooger MF-101 Filter
Digitech Whammy
Boss OC-2
Dunlop Cry Baby
Boss TU-2
Boss TU-3 (x3)
Polytune clip on - TC electronic
Korg Rack Tuner
Boss NS-2 (x2)

Switching / Routing:
Mesa Engineering High Gain Amp Switcher
Lehle Little Dual
Lehle P-Split
Radial Big shot Amplifier Switcher
Orange Amp Detonator

Buff!

Nota: Docu del grupo trabajando allí: